Ninfe Light
In Anne Lass’s images, space is not merely recorded physical reality but an evoked state of consciousness. Through her lens, she transcends the boundaries of composition and colour, weaving architecture, landscapes, and man-made environments into a visual narrative about seeing, time, and disappearance. Her works are serene yet penetrating, like fragments of memory frozen at the edge of fading—whispering stories of how the world unravels and endures.
This exhibition, Ninfe Light, brings together works from three of her core series:
• "777" immerses us into retro-futuristic entertainment spaces—neon-lit corridors and dim interiors that resemble lost scenes from a David Lynch film, where light no longer reveals but seduces and disorientates.
• "Low Season" captures the winter silence of Danish island villages, where landscapes seem devoid of spectators and spaces lose their function, leaving only a gaze upon "absence."
• "Exterior" strips away figuration further, constructing an unfamiliar order through colour and form. The recurring patterns emerge like fragments of a linguistic system—rooted in the everyday yet detached from it.
“Ninfa", derived from a nature spirit of classical mythology, embodies a fluid being of imagery—an elusive energy flickering between history and reality. The German art historian Aby Warburg regarded the Ninfa as an ever-resurging emotional motif in art history, a visual ghost drifting through the afterimages of culture. In Anne Lass’s works, this "visual energy" finds a contemporary vessel. Here, light is no longer just a technical tool of photography, but a sentient protagonist—shifting, fragmentary, drifting between space and memory—leaving us uncertain whether what we see is real or a simulacrum within the image.
In this exhibition, what we encounter is not simply empty corridors, fractured symbols, or a silent winter, but a way of seeing that is slowly vanishing—one that requires pause, patience, and the acceptance of uncertainty. Perhaps Ninfe Light does not reside in the light itself, but in the warmth it leaves behind after its fleeting passage.
「宁芙之光」
在 Anne Lass 的影像中，空间不只是被记录的物理现实，更是一种被唤起的意识状态。她用镜头穿透构图与色彩的边界，将建筑、地景与人造环境编织成一场关于观看、时间与退场的视觉叙事。她的作品宁静深远，却具有穿透力，像是凝固在褪色边缘的记忆残片，低语着关于世界如何崩解，又如何维系的故事。
本次展览《宁芙之光》（Ninfe Light）选自她三个核心系列：
• 《777》将我们引入复古未来主义的娱乐空间，那些霓虹下的走廊与昏暗室内，仿佛大卫·林奇电影中遗失的场景，光线在这里不再揭示，而成为引诱与迷惑的陷阱；
• 《Low Season》记录了丹麦海岛村庄冬季的寂静，风景仿佛失去了观众，空间也失去了功能，仅剩一种对“缺席”的凝视；
• 《Exterior》则进一步剥离具象，以色彩与形状构建一种陌生的秩序，那些重复的图案仿佛是语言系统的断片，既日常，又超脱于日常之外。
“宁芙”，源自古典神话中的自然精灵，是流动的意象之灵，是在历史与现实之间若隐若现的能量体。德国艺术史学者瓦尔堡（Aby Warburg）视“Ninfa”为艺术史中不断复活的情绪母题，是一种在文化残影中穿梭的视觉幽灵。而 Anne Lass 的作品，正是这种“视觉能量”的承载体。在她的镜头里，“光”不再只是摄影的技术工具，而成为一种具有意识的主角。它像宁芙般游移、断续、游离于空间与记忆之间，让我们不确定所见究竟是真实，还是影像之中的“拟像”。
在这个展览中，我们看见的不只是空置的走廊、断裂的符号、沉寂的冬季，而是一种正在缓慢消逝的观看方式——那种需要停留、需要等待、需要不确定性的观看。也许，“宁芙之光”并不在于光，而在于它转瞬即逝之后，所遗留的温度。