Hok Ho
Born in Guangdong, 1983.
Hok’s practice is grounded in a distinctive methodology he refers to as “body constructs image,” in which the body—its postures, sensations, and perceptual shifts—functions as both instrument and conduit. Moving through light, chromatic atmospheres, and spatial thresholds, the body activates an image field where figuration and abstraction remain in constant negotiation.
His works often unfold as an intermedia: diffused color fields and visual structures that appear to surface and dissolve simultaneously. Within these mutable layers, the textures of the city, the refraction of light, and fragments of presence are perpetually reorganized, folded, or partially vanished The image becomes a site where the self and the external world coexist not as opposites, but as interdependent overlaps.
He focus on deep memory, desire, gender consciousness and the individual’s navigation within larger social architectures. Through sustained processes of visual deconstruction and reconstruction, he probes how bodies and environments co-produce one another. His ongoing project is the articulation of an image language capable of traversing emotion, identity, and temporality—one that situates the body as both witness and generator of perceptual experience.
何鹤洲
1983年出生于广东。在艺术实践中，他以独特的“身体构建”方法展开影像创作。身体的姿态与感知在光影、色块与空间的穿行中成为流动的媒介。他的图像常呈现迷离的色域与介于具象和抽象之间的视觉结构。在影像与个人生命体验的交汇中，城市肌理、光线折射与身体轮廓不断被重组、折叠与消隐，个体与外部世界在同一画面中自然叠合。
他关注深层记忆、欲望、性别意识以及个体在社会结构中的位置。通过持续的视觉解构与重构，他探索身体与世界如何互相生成，并试图建立一种能够穿透情绪、身份与时间的影像语言。